Théo Mercier. La possession du monde n'est pas ma priorité. Amérique centrale et du sud the lessons of which still

the lessons of which still lie at the heart of the debate about our political institutions

a terrible revolt and an incredible provocation in the face of the feeling of an existential awakening and of a life at an impasse

Encyclopedia of art photography n°08 December 1935: The art of ancient Mesopotamia at the Louvre Museum III

anthropology

without forgetting the epic poem The Pharsalia by Lucan and the texts of Greek historians in Rome such as Cassius Dio and Appian

Théo Mercier. La possession du monde n'est pas ma priorité. Amérique centrale et du sud the lessons of which stillTho Mercier's studio and ditions Dilecta are working together on the artist's monograph project to compile an inventory of his prolific output, which is particularly interesting in that the artist brings to the French contemporary art scene a field of specific interventions that opens the boundaries of the visual arts properly speaking. Coming from engineering studies (and not from the classic Fine Arts course), the artist allows himself everything in