L'image de l'autre. Noirs, juifs, Musulmans et Gitans dans l'art occidental des Temps modernes. Celte at the theatre or even

at the theatre or even in the hushed world of brothels

les conditions d'accès à la citoyenneté et l'organisation des tribunaux populaires

chacun étant bien persuadé qu’il ne s’agit là que d’une comédie

this work is exhibited for the first time alongside the sculptor's many works on the same subject

use of base materials

L'image de l'autre. Noirs, juifs, Musulmans et Gitans dans l'art occidental des Temps modernes. Celte at the theatre or evenApproaching the Encounter as it presents itself in the field of the visible is not an easy task, because the Other does not willingly expose himself to the gaze of the Same. Jews, Bohemians, Blacks, Muslims: the four figures of otherness that are the subject of this study bear witness to this. Faced with its movements of withdrawal and its evasions, it was necessary, in order to be able to represent it, to "un cover the Other, to construct it and