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The image of the rugged Germans
then at the Point Cardinal and at the Claude Bernard gallery from 1984
marchands et agriculteurs
Researchers
their earthly aspirations
Hervé Di Rosa: Le passe-mondes. Antique The image of the ruggedDi Rosa became known in the early 1980s at the within the Free Figuration movement, drawing its inspiration in popular culture, particularly comics. He then devoted himself to a unique project: entrusting his images of different crafts and techniques from around the world (from Sofia to Lisbon, including Ghana, Ethiopia, Vietnam, Mexico, Florida or Andalusia). Alongside his art, Di Rosa collects what he calls the modest arts, these aesthetic
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