Etre moi toujours plus fort. Les paysages intérieurs de Léon Spilliaert. Numismatique At the end of the

At the end of the 1880s

«Aristoteles en el mundo helenistico«

Within Dufy's highly diverse production in Perpignan

marking a turning point in modern museum construction

although he never sought notoriety

Etre moi toujours plus fort. Les paysages intérieurs de Léon Spilliaert. Numismatique At the end of theOstend, early 20th century. A young, melancholic painter, Lon Spilliaert, gazes at the sea through the darkness. He bears a Flemish name; admires his compatriot Ensor; and is haunted by the unstable geometry of his hometown and by the secret life of appearances and shadows. A century later, Stphane Lambert returns to his homeland and, in turn, undertakes the same geographical journey where thoughts merge with the painter's troubled universe. For art