Lydie Arickx. Arborescences. Proche et Moyen Orient and amorous gods

and amorous gods

which allows for the copying of inscriptions engraved on steles

in the early 1980s

In the East

Has New York really been the center of artistic innovation since 1945

Lydie Arickx. Arborescences. Proche et Moyen Orient and amorous godsCrossing genres, mixing the most diverse materials and formats, the work of Lydie Arickx celebrates the profusion of life with a power and freedom of invention that make her one of the most unique artists today. Her arborescences go beyond the motif and its symbolic extensions to constitute the very matrix of her work, which opens itself to the multiple, to the vital impulse, to intersections and crossbreedings in a joyful plurality. In the wake of