The New-York School Show. Les photographes de l'école de New York 1935-1965. Rome Gilbert Andrieu continues his journey

Gilbert Andrieu continues his journey through myths to approach life

from Venetian luminism in the 16th century to the almost monochrome applications of "color-field painting" in American abstraction in the 1950s or the kineticism of op art in the 1960s

hesitating between a twilight paganism and an increasingly official Christianity

The catalogue focuses on the powerful connection between Bacon's works and literature

the maritime hegemony that was the object of so much rivalry between the Greek cities

The New-York School Show. Les photographes de l'école de New York 1935-1965. Rome Gilbert Andrieu continues his journeyIn the early 1990s, the American photography historian Jane Livingston attempted to bring together, under the term "New York School of Photography", a number of the actors of the photographic revolution that shook the streets of the megalopolis between 1935 and 1965. Unprecedented expressive and formal freedom, assumed social and sometimes political commitment, the desire to connect with new pictorial and poetic forms, in depth knowledge of the